I started off reading the background information of the Wesleyan Anthology of Science Fiction on pages XII-XVII. At first, it was so formal and scholarly, it took me some time to get into the groove and understand the background information it was handing me about Science-fiction and how to read and understand it. However, it was very insightful as to how a reader should interpret the stories he is reading and that things aren't as metaphorical as it would be if you were reading a normal fiction story. For example, on page XVI, there was an example saying if a story said, "Her world began to crash," instead of it being a metaphor for a girl's emotional state, in science fiction, her world could literally be crashing.
"Passengers" by Robert Silverberg (1968) I thought was a great story. When I finished the story I literally wanted to punch something or someone because of the frustrating ending (in a good way), which had more of a expected yet unexpected surprise. It's was like once things started working out and love could happen, the passengers said,"Nope," and screwed everything up, taking Charles away from Helen. The general synopsis of this story starts with a man, named Charles, who finally regains consciousness after being "ridden" by a passenger (an alien that possesses people and causes them to lose memory as to what has happened while being encountered), and finds himself trying to regain pieces of what happened- knowing that he was with a girl and that was pretty much it. Then while going out for a walk, he finds the girl he was with while he was being "ridden" by a passenger for the previous three days. Such occurrence led him to remember the events that happened: him having sex with Helen. Charles, eventually (more like immediately) meets Helen and tries to commit himself to her, yet she is reluctant. This short story parallels a lot with the real world and how people have casual sex on the quest to find true love and the sense of isolation it brings. On page 437, Charles thinks to himself, "But I already had that pleasure, three nights of it, though she does not know that. I want something more. Something more. What?" Though Charles enjoy the company of Helen, her company is not suffice. In actuality, what he wants is love. One the other hand, Helen is so fed up with being used and watched by the passengers, she's given up hope as to what she can accomplish while she was free. On page 441, Charles confesses that he remembers the encounters him and Helen having sex while they were both being "ridden." He proceeded to try and persuade her to have sex with him and not be afraid to fall in love in this "little time when [they have] free." This story pulled on my heart strings (but I'm just a sucker for a little romance), and overall relayed the message: in this short life span we have (referring to the limited time of freedom), love while you can even though it may seem hopeless, and futile. Love while you can, so you can at least say that you've loved before the passengers return again and screw everything up.
In the second story, "Out of All Them Bright Stars," by Nancy Kress (1985) started strongly with Sally working in her little diner restaurant, when suddenly a blue Alien man named John strolled in and was immediately the center of attention. Sally's co-worker Kathy ran towards the back to alarm their boss of the new comer. Sally proceeded to serve him, concerned for how uncomfortable he must have felt, and disgusted with how blatantly everyone was looking at him. As Sally and John spoke, Sally was surprised by his friendly nature. Then suddenly Sally's boss, Charles, came out storming and aggressively, latching on to Sally and yelling at her for serving John. This very scene stuck out at me because it reminded of Disney channel show "That's So Raven," when Eddie (a black character) reminisced about his old childhood friend who was white. And as they were playing, Eddie's friend's father came storming out, furious because his son was playing with a black kid. This short story brings to my attention a lot about discrimination and even blatantly said "niggers" on page 583. It was only when John was next to normal white men did Sally notice his differences. Same goes for with Eddie's friend. Only did he notice the difference between him and Eddie was when his father came and yanked him away from Eddie. However, as the story began to end, that's when I started getting confused. Sally starts getting upset with John and how he was there to make a difference and there was so many sudden mood changes, I just couldn't keep up.
Update:
Well my accusations for "Passengers" were pretty much spot on when we conversed in class. However, "Out of All Them Bright Stars" became so much clearer and I understood it more. Previously, the ending had me confused and scratching my head as to what was going on. Now I understand that Sally is frustrated because she has to do something she doesn't want to in order to maintain stable with her needs. So whether she wants to admit or not, she needs her wife-abusing, jerk-of-a-boss Charlie. She realizes she's powerless to change anything by herself. She couldn't protect nor save John. She's stuck and frustrated and that's all. There's nothing more Sally can do.